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Santa’s high-performance sleigh

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By Sean Moriarty

Motorists in the market for a new car in January might want to pay attention to the performance levels of Santa’s sleigh.

The big man in red has just 36 hours to play with, beginning in New Zealand late on Christmas Eve, Irish time

By the time he has visited Killarney a few hours later he will have just over half his journey completed. His work won’t be done until the early hours of St Stephen’s Day, his last port of call is Alaska, which is very near his North Pole base.

In total, Santa needs to travel 10 million kilometres in that 36 hour time frame. That means he will travel the world at a speed of 77 kilometres per second! This proves why he cannot be seen, as 77 kilometres per second is, after-all, 3,000 times the speed of sound.

But if Santa can’t be seen, it is possible, just about, to hear him because the speed he is travelling at means he, the sleigh and team of reindeer are giving off a sonic boom every couple of micro-seconds…listen very closely and it may be just possible to hear the boom.

Apart from the performance of the sleigh, Santa is a very busy man during the early hours of Christmas morning and his own level of fitness could make him a serious contender for a place on the Kerry team.

There are close to seven billion homes in the world, that gives him 130 microseconds to park the sleigh on the roof, climb down a chimney, place the presents under the tree and eat the treat left out for him. Phew! How does he do that without getting very tired?

That is easy to explain. Santa is known for his generosity. And you know what they say about generous people – they have very big hearts! Santa’s heart is a lot more powerful than any normal human being and that is one of his secrets.

That said, it is understandable why Santa needs an extra-long rest and is rarely seen anywhere in the world between Christmas Day and the following December when he starts to make his naughty or nice list again.

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Four Esquires build new stage with help from Men’s Shed

Four Esquires Productions, the Killarney creative group known for its dark-humour pub performances, has completed work on a new stage following strong encouragement from local audiences. The group includes writer […]

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Four Esquires Productions, the Killarney creative group known for its dark-humour pub performances, has completed work on a new stage following strong encouragement from local audiences.

The group includes writer and director Paddy Osborne, whose short film Chameleon will be submitted to the festival circuit this year. Osborne is also working on his third novel. Producer Brian Bowler, who worked on Chameleon, has two additional short films nearing completion.
Their live performances, particularly the series staged in Courtney’s Bar over the summer, drew enthusiastic crowds. Bowler said the group received repeated suggestions to build a permanent stage to improve future shows. Members pooled their resources to cover materials and reached out to Killarney Men’s Shed for assistance.
“As an amateur troupe that works with creatives across Killarney, we were very grateful for the once-off help from the Men’s Shed,” Bowler said.
The group is now preparing to launch a call-out in early 2026 for original 10-minute plays based on the theme of Change. Writers and actors will be invited to take part, offering an opportunity to showcase local talent on the new stage.
“We’re looking forward to using the stage to entertain our loyal followers,” Bowler added.

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Local workshop empowers community

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An impactful Parents of Teens Workshop, hosted by mental-health advocate Neil Kelders, was held on Thursday, November 13, at The Panoramic, Race Course, drawing a huge turnout of around 140 attendees.

Parents, teachers, coaches, carers, and community workers gathered for an evening centred on connection, communication and emotional wellbeing.


Although Neil no longer lives in Killarney, his work takes him to communities across Ireland and beyond.

He made a special journey home to give back to the place where his inspiration for this path first began.

It was during difficult times in Killarney that Neil found his purpose in supporting the wellbeing of others and returning to share that message carried deep meaning.

Neil opened the evening with a deeply personal video he had recorded during one of the lowest points in his life, a moment originally meant as a goodbye.

The room fell silent, ears tuned, hearts open.

From there, he spoke honestly about his struggles with anxiety, depression and the silence that stigma often forces. His message resonated strongly: check in with loved ones, even when the signs aren’t visible.

The workshop was highly interactive, with attendees openly sharing concerns before Neil addressed them with practical strategies and compassionate insight.

The central theme was clear: keep communication open and create safe spaces for young people.

Community members offered powerful reflections.

Eamonn Fitzgerald praised Neil’s “unmasking,” reminding everyone that “it is ok to say ‘I am not ok’.”

Gemma Hilario said the evening “opened dialogue on mental health and helped remove stigma.”

Lisa Hegarty found the workshop “incredibly insightful and empowering.”

Elaine O’Neill praised the “invaluable toolbox” Neil provided for supporting loved ones.

Frances O’Sullivan highlighted Neil’s lived-experience coaching, offering “actionable strategies to better approach and listen to young adults.”

The evening left a lasting impact, 140 families, classrooms and teams better equipped, supported and connected.

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