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Des Cahill wanted part of the Killarney Advertiser action

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Acclaimed sports broadcaster Des Cahill was so enamoured by the formula of the Killarney Advertiser that he once considered buying it, according to a passage in his autobiography ‘Play It Again Des’.

Cahill, who spent 40 years in journalism - some of it in the print media but most of it with RTÉ – resided in Killarney in the 1980s and was so impressed with the town’s number one publication that he even thought about purchasing it from founder and owner Danny Casey, the father of current Managing Director Cormac Casey.

“It was owned by Danny Casey, a great character, and he mentioned at one stage that he might sell it,” Cahill reflects, although it’s likely that Danny was engaging in some friendly banter with the young journalist. “He must have thought it was ludicrous that a young fella like me would talk to him about buying it, but I was interested, the thought struck me that you could have a good business and really develop it.

“Danny had a very successful formula, the paper was free but advertising paid for it, but I doubt he took me seriously when we spoke. Apart from anything I wouldn’t have had the money to buy it. Anyway, God knows what kind of an accent I would have ended up with if I’d stayed there for 25 years.”

On several occasions Cahill relates how lucky he has been in life to do the job that he loves so much. His father was the principal teacher in Corofin in Co. Clare and Des was born in Ennis Hospital. What he did not know for many years was why they moved to Dublin but one day he was trawling through the local Clare newspapers in the National Library when he came across the report of drownings in a lake in Clare.

His father’ first wife and two of her children went swimming in a local lake one day and all three were drowned. After this tragedy, Des’ father moved to a Dublin school and remarried. So Des spent most of his life in Dublin.

His father got rid of the TV so they depended on the radio and this is where Des got hooked on the drama of sport. He studied for his journalism certification in Rathmines and started his career at the tender age of 18 with the Irish Press. He spent some time in Carlow and then four years with the Kerryman. Donal Hickey was a great help to him. He also introduced him to the bog and that heavy work did not suit the soft city boy.

Donal and Des were the first to break the story of the Kerry babies and Joanne Hayes. Des says that he is a real softie at heart and felt so much for the innocent Joanne Hayes who had to wait for 34 years (January 2018) before she got an apology from the gardaí. They secured a DNA profile that confirmed that she could not have been the mother of the Cahersiveen baby.

He also relates how he joined the Crokes. He was in the Fáilte Hotel talking to Dermot O’Callaghan who suggested to him to call into Eddie O’Sullivan in the Tatler Jack pub. “If I’d been sent across the road to Murphy’s Bar I’d have ended up playing for the Legion.”

He relates a very funny incident playing at full forward for the Crokes junior team against Firies on a very wet day. The umpire was very vocal and supportive of Des cheering wildly when he scored and giving out about the rough play of the Firies full back. He followed them down to the other goal for the second half. That was unusual. All was revealed at the end of the game when the umpire said, “I’ve an auld court case coming up next week, if you could keep it out of the paper…”

This was typical of the people in Kerry; they were mortified that their names would be in The Kerryman for drink driving and other places where they might have broken the law.
He really enjoyed reporting on the then Killarney UDC where some of the councillors would make these big speeches if they saw him writing. They wanted to get their names in The Kerryman while other people wanted to keep their names out of the paper. Welcome to the Kerry psyche, said Des. He had great admiration for Maurice O’Donoghue and for Michael Healy-Rae.

A job came up in 1984 in RTE so with tears in his eyes, he and Caroline left Killarney. He got the job in RTÉ but he makes an unexpected admission. “To this day I really do not have a good broadcasting voice. It’s undeniably squeaky, so I feared I would perish on that rock.”

He need not have worried as he soon made his mark on radio and on TV. He travelled all over the world to cover all kinds of sports where there were Irish athletes taking part. Included are the Tour de France, the Olympics, soccer in Saipan and many more. He met with and interviewed world superstars. These included Muhammad Ali, Nelson Mandela, Katie Taylor, Sonia O’Sullivan, Kelly and Roche and Michael Phelps, who has 28 Olympic medals.

He is fluent in Irish and has a great grá for the language. He interviewed Michelle Smith for Radio na Gaeltachta and got to like her. She was defiant to the end but her medals were tainted after Atlanta. She maintains that she never tampered with the sample. However, she is erased from sporting history because of the loss of faith after the whiskey in the jar.

There is an interesting chapter on The Sunday Game and the various pundits. He has an interesting take on Joe Brolly who is always “pushing out the boundaries.” He goes on to say that he is “kind, generous, social-minded person, but he is also the greatest hoor on earth. He is a cranky, whingey, fecker and that is all rolled into one.” One other point Des makes is that he does not dye his hair.

He also does a piece on the part he played in Dancing With the Stars and how he got over his nervousness to go so far in the competition.

The style of this book is very readable and he does give us a great insight on the way sports reporting develops for a man that is consumed by it all and likes nothing more than bringing it to the listeners and viewers. Des concludes that, “life has its bleak and dark sides but there are some incredibly uplifting and positive moments, the most inspirational people, and sport regularly reflects that… I have been lucky in my life. I ended up with the best job in Ireland.”

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Killarney Looking Good competition celebrates community pride

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The annual Killarney Looking Good competition took place at the Great Southern Hotel on Wednesday night where Kerry GAA captain Gavin White presented the awards to the deserving recipients.

Killarney Park Hotel came out on top with the overall prize being awarded to the newly refurbished five-star hotel.

The judges were impressed by the stylish new entrance and driveway and their spectacular display of flowers and window boxes. Killarney Park won the same award back in 1992.

The best large commercial premises award went to Killarney Racecourse, and the best small commercial premises was awarded to Sheahan’s Pharmacy.

Charlie Foley’s won the best public house; best restaurant was 40 Main and Walsh Bros Shoes was named best retail.

In the residential categories, the best private residence was Tomies View, Ross Road, best large estate went to Countess Grove, and best small estate was won by Coolgreane Park.

The winner of the 2025 Fr Michael Murphy Memorial Pride of Place Award was presented to the Killarney Asylum Seekers Initiative while the Yvonne Quill Memorial Volunteer of the Year Award winner went to Margaret Curtin.

The Killarney Looking Good competition is organised by Killarney Municipal District Council and Killarney Chamber of Tourism and Commerce and sponsored by MD O’Shea’s & Sons and O’Mahony Media.

The competition aims to encourage residents and business owners to keep the town looking well through the use of flowers, hanging baskets, colour schemes.

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From Woodlawn to the world stage: How Drag, Lizzo, the Eurovision and Mom’s crafty needle-work made ‘Liam Bee’, BPerfect!

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By Marie Carroll-O’Sullivan

Not every road leads to Dublin. Some lead from Killarney to Cork, then London, and back again with a stop to perform in front of Lizzo and Harry Styles along the way. I had the pleasure of photographing Liam Bee, at a recent local event. The art of make-up struck me before anything else. So, when I heard Liam Bee was one of our own, i.e. Liam Kelleher from Woodlawn, it was a must for me to talk drag, makeup, resilience, and how a quiet kid from a Kerry town ended up living their dream with a little help from RuPaul, BPerfect Cosmetics, and one very supportive Killarney family.

Tell me about young Liam growing up in Killarney?
Shy. Very shy. Like can’t-read-aloud-in-class shy. I was introverted, anxious, and definitely not out. But looking back, that quietness taught me how to observe, reflect, and eventually express myself. Killarney is beautiful, but when you’re growing up different, it can feel isolating. Still, it gave me resilience and a thick skin, which is helpful when you’re gluing rhinestones to your face at all hours.

So how did drag come into your life?
Believe it or not through my Mam! She was watching RuPaul’s Drag Race, and I remember walking in like, “What is this?!” It was weird to me at the time but clearly it stuck! Years later, when I went to art college in Cork, I started experimenting with looks inspired by the Blitz Kids of ‘80s London and the New York Club Kids.My first drag performance was in a competition. Mam sewed the costume from scratch. She still helps with my outfits but that one was special. I was terrified… and then I won. That was it. I was in love with drag.

What does drag mean to you now?
Drag is my art, my outlet and strangely enough, my career ladder. It’s the reason I was hired as the Irish representative for BPerfect Cosmetics. Now I travel all over Ireland and England as a makeup artist and educator. Painting faces has become my day job, and I am grateful that drag opened these doors I didn’t even know were in the building.

Considering the time and effort it takes many ladies to rock up at an event looking effortless, I’m struggling to imagine the prep at such an extravagant level AND hold down a jet setting 9?
90% of what happens is before the show even starts. Booking venues, coordinating tech, styling wigs, designing posters, managing socials and hot-gluing feathers to corsets at 2am. It’s a full production.

Drag taught me everything from event planning to public speaking. I also learned that “yes” isn’t always the right answer. Burnout is real. Living in London showed me that. It also made me fall in love with Ireland all over again, especially Killarney.

Has your family always been supportive?
They’re incredible. I suppose maybe not all sparkles at first, but they’ve always shown up. Mam makes my costumes. Dad’s helped build sets. My younger brother is my biggest fan. Even my grandmother in Abbeydorney follows my gigs!Recently, a whole gang of aunts, uncles, and cousins came to see me perform at the Everyman Theatre in Cork. That support means more than I’ll ever be able to put into words.

But it hasn’t all been sequins and standing ovations, has it?
No. Drag still attracts hate sometimes. I’ve had people share photos of me in school group chats, make awful comments, even threaten my life. I’ve been spat on, kicked, beaten. All because of a costume.But I’ve never wanted to stop. If anything, it’s made me more determined. Drag taught me what real resilience looks like. Glitter is more than decoration, it’s armour.

A little bird tells me you’ve performed in front of some big names.  Do tell…
I’ve had some pinch-me moments! I opened for Bambi Thug—our Eurovision star—at The Academy in Dublin. I’ve performed at ‘Mother Pride Block Party’ in front of thousands and taken the stage in Berlin.But the moment that still feels completely surreal? Performing in front of Lizzo and Harry Styles in London. I mean, these are artists I’ve idolised. I’ve belted out Good as Hell at the top of my lungs and danced like no one was watching to Treat People With Kindness. And suddenly, they were the ones watching me. I was thinking, “Enjoy this moment, keep breathing, and pretend this is totally normal.” It wasn’t. It was unreal.

What’s your vision for the future of Irish drag?
More visibility. More platforms. Not just in Dublin. There’s so much talent in smaller towns; it just needs the right space to grow. I’d love an Irish version of Drag Race (RTE2, I’m looking at you!). And more people like Annette Roche Clifford did recently in organising the Killarney event. She claims she was tired wearing out the road to Cork to see my friends and I perform. Her energy is the kind we need in more rural communities.

Some final words for young LGBTQ+ people growing up in rural Ireland Liam?
If I can go from being too anxious to speak in school to performing in front of thousands, you can too. Your path might look different and that’s the point. Different is where the magic lives.To the parents: You don’t need to understand everything right away. That comes later. What matters most is love and acceptance. Celebrate your child. That’s what my parents did, and it changed everything.

Liam’s journey proves that greatness doesn’t need a city skyline, it just needs courage, sequins, and sometimes, a mam with a sewing machine. From Woodlawn to the world stage, Liam’s story is a reminder that your most powerful path is the one where you get to be fully yourself, glue gun, glitter, and all.

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