Which end is the “scoring end” at the Fitzgerald Stadium?
Every pitch has one, but what makes it “easier” to score into one goal than the other? Adam Moynihan investigates this strange phenomenon.
Your team is down at half-time and struggling. After a quick bout of soul-searching, maybe even some finger-pointing, the manager tells you to settle down as he launches into a season-defining team talk. More of this, less of that, these lads aren’t up to much etc. etc. You bounce on your toes and head back towards the pitch, but there’s still time for one more nugget of encouragement. One line that will render your lacklustre first-half performance meaningless, banish all self-doubt and restore the confidence you need to stage a heroic comeback.
“We’re playing into the scoring end as well, boys.”
On the surface it might seem like a silly thing to say, especially to the uninitiated. The posts are the same width at both sides of the pitch. The crossbars are the same height. It’s the very same patch of grass. But ask any footballer if they have a favourite end to shoot into and the answer will be a resounding ‘yes’.
For some reason players do feel as though they find it easier to score at one end of the ground, and whatever ground you’re at, there tends to be an overwhelming consensus between players (both home and away), officials and supporters as to which end is the “scoring end”. Everyone knows without really knowing why. Can this odd phenomenon be explained logically, or is it pure superstition?
The home of football is probably as good a place as any to start our investigation and the majority of people say that in Killarney’s Fitzgerald Stadium, the Lewis Road end is easier to kick into than the scoreboard end. I reached out to a number of Kerry players past and present and the majority agree that it is tougher to play down into the scoreboard end of the ground.
But why? They say the wind is the primary factor and some amateur meteorology on my part confirms that our prevailing south-westerly breeze would tend to blow from the Torc Terrace corner of the stadium (between the stand and the scoreboard terrace) diagonally across the field to the far corner of the terrace side.
That much makes sense. Now, let’s see if the stats back this up.
In Kerry’s last 10 matches in Killarney dating back to 2017, 181 points (including goals) have been scored into the Lewis Road end - and a total of 202 points have been registered at the scoreboard end.
That means that on average Kerry and their opponents have managed 2.1 points per game less while shooting into the supposed “scoring end”.
If we isolate Kerry’s totals in these matches, we see that the home team have kicked or punched 112 points playing into the “scoring” goal, and 116 points down in front of the scoreboard.
The opposition, meanwhile, have found the scoreboard end far more appealing. They have racked up 86 points at that side of the pitch, while notching just 69 at the Lewis Road end.
However, if we look a little closer, we notice an interesting trend. Points scored over the bar are identical at both ends of the pitch (160), but twice as many goals have been scored at the scoreboard end (14 versus 7). This is, perhaps, where the famous wind comes into play. As it is more difficult to kick points into the breeze blowing down from the scoreboard side, Kerry and their opponents seem to be going for goal more often when playing in this direction. The Kingdom have managed six goals in their last 10 halves of football facing the scoreboard, compared to four going the other way.
Their opponents have fared even better in this department, scoring eight goals into the scoreboard end and just three into the Lewis Road net.
Having said that, both home and away teams are still managing to score the same amount of points playing into the “scoring end” as they are playing into the “bad end”.
So, if this statistical snapshot is anything to go by (which, in fairness, it might not be considering it only covers intercounty matches played at the stadium since 2017) this idea that the Lewis Road end is easier to score into appears to be psychological.
Kerry's last 10 matches at the Fitzgerald Stadium (both teams combined):
Lewis Road End: 7 goals, 140 points (181)
Scoreboard End: 14 goals, 160 points (202)
Kerry's last 10 matches at the Fitzgerald Stadium (Kerry):
Lewis Road End: 4 goals, 100 points (112)
Scoreboard End: 6 goals, 98 points (116)
Nevertheless, the fact remains that every ground has its “scoring end”, and without vast swathes of empirical data to debunk the notion, it will continue to play on people’s minds.
A poll carried out on my Instagram (@AdamMoynihan) confirmed that all of the local pitches have commonly defined scoring ends. For Dr Crokes, it’s the town end near Deerpark Pitch & Putt course. One player said that it always seems to be brighter at that side of the pitch, which could be explained by the fact that the opposite end is more sheltered with high embankments on all sides of the ground. Another described the scoreboard end goal as “deceptive”, and I have a theory on this myself.
As a handy free taker (and by that I mean “a taker of handy frees” as opposed to “a handy taker of frees”), I’ve always found it tricky to shoot into goals with open spaces behind them.
At Crokes, the top goal has an open area behind it and I think it’s harder to gauge distance when kicking into this kind of backdrop. With no fixed points immediately behind the target, it can feel like the posts are miles away.
The same can be said of the top goal at my home ground in Derreen, which has a second pitch running directly up behind it. Legion folk will tell you that the scoring end is down towards the car park and I can definitely attest to the fact that, psychologically at least, it feels easier to play that way.
There may be another reason that I personally prefer shooting into that goal, and it could also explain why every home team has a favourite end: familiarity. We almost always warm up at the clubhouse end, training drills are often staged there, and whenever I would go for a kick on my own, I would tend to kick into that goal more often than the top one. I would say that the vast majority of clubs and players are the same.
We are creatures of habit so it stands to reason that the more we train in a certain environment, the more comfortable we are there, and this transfers over to match situations.
For Spa, the goal at the road end is considered to be the easier one to score into, something the natives attribute to an apparent slope in the pitch. Maybe it’s a simple trick of the eye but if there is even a very minor decline, perhaps that could make a slight difference. Once again, backdrop may be a factor: the top goal has a wide open space behind it.
The same can be said for Fossa, who also have another pitch behind their top goal. Players seem to agree that the road end, which has a neat row of trees serving as a backdrop, is the “scoring end”.
Kilcummin’s pitch is a slight anomaly with regards to the backdrop factor. The scoreboard end is thought to be more favourable for forwards, but it is the supposed “bad end” that is more enclosed. However, it might actually be slightly too enclosed. The wall of tall, dark trees immediately behind the goal makes for an imposing structure, which, perhaps, is slightly off-putting for would-be scorers. I always found it tough to kick points up there anyway, although it would probably be unfair to blame that on the conifers.
Maybe it’s the prevailing wind. Maybe it’s familiarity. Maybe it’s the slant of the pitch. Maybe it’s the backdrop. Or maybe it’s all in our heads. Whatever the reason or reasons, scoring ends exist and in the ultra-competitive world of the GAA, their existence will continue to be a source of comfort to desperate teams in desperate times.
We might be down 10 points, but we’re playing into the scoring end this half. Anything is possible.
An Hour with Paul Galvin: Drawing lines between football and fashion
by Adam Moynihan
Whenever you meet a famous man, the people you tell always ask the same question. “What’s he like?” But when that famous man is Paul Galvin, the question is delivered with a little more emphasis. As in, “what’s that fella actually like?”
The tone hints at a sort of weird scepticism that, for some, still pervades the very notion of a GAA player from Kerry pivoting to fashion. Add to that his on-field reputation for being an emotionally charged – if unquestionably skilled – force of nature, and his brooding demeanour, and it’s easy to see why people who don’t know him are keen to figure him out.
Earlier this week, Paul was kind enough to bring me in to Dunnes Stores Head Office in Dublin to show me around. After introducing me to a few of his colleagues in a ground-floor studio where models were posing in some of Dunnes’ latest offerings, he brought me up to a fourth-floor room with some nice seating and a balcony overlooking George’s Street.
Maybe the hour-long chat that followed would give me an idea of what Paul Galvin is “actually” like.
It’s patently true that the path that Galvin is walking is not well worn. After putting together a brilliant body of work with Kerry that included four All-Irelands, three All-Stars and a Footballer of the Year award in 2009, he retired in 2014 and turned his attention to clothing.
On the surface the two callings are worlds apart but Galvin doesn’t see it that way. He is adept at drawing lines and finding parallels between ostensibly disparate things. To him, the connections are obvious.
“It’s all very interlinked,” he explains. “Stadia, boots, footballs, jerseys. Everything was designed. If you don’t have design in sport, you don’t have the same sport. You might not even have the sport at all.”
He explores this relationship between design and sport in his latest collection for Dunnes. ‘Lines’ is inspired by the lines on a GAA pitch and the pieces in this collection include references to these markings. For example, the green and navy ‘Groundskeepers’ jacket has the inner lines of the pitch on the upper back, and the area around the goalmouth features on one of the sleeves.
“I like the lines. I was always conscious of the pitch lines as a measuring tool in terms of proportions. There’s great proportions to the pitch and you can actually apply those measurements to clothing.”
He must sense that I’m not fully following.
“I do, anyway,” he adds.
“I use the pitch lines in my head for understanding proportions. When samples come in we would do a little bit on fit and I’d have a proportion in my head that works for the brand. I tend to measure the proportions by the pitch lines.
“The GAA pitch is an exercise in design. The groundskeeper is a designer. The same things are at play in tailoring.”
Galvin’s nine-year partnership with Dunnes is going strong and his admiration for the company is obvious. He classes them as an Irish “cultural institution”, alongside the likes of the GAA and RTÉ. Plus, they took a punt on him, and he knows it.
“We started from scratch. I proposed this Irish men’s brand that I felt could offer something more meaningful in terms of storytelling and design. I was very fortunate that Dunnes understood that proposition and were willing to get behind it all those years ago.
“I think the brand has a good position in the market now and I think it’s understood that it’s a storytelling brand and there’s a good bit of meaning and intention behind it.”
Did he foresee it lasting this long?
“We didn’t know, really, like,” he admits. “Dunnes were taking a chance and I was just following intuition. I was following a vision for sure. But I felt because of the basis of it, because of the fact that I had studied the high street market and I knew what was missing, that it would have a good chance.
“The physical high street retailers like Topman, River Island, and H&M were foreign and they weren’t speaking our language, I felt. They weren’t speaking to the Irish guy. I felt [the clothes] could be more meaningful and educational and design-led. And they could tell stories.
“I just came with that approach and I felt that it would last in the market. But without Dunnes’ support it would have been almost impossible.
“I’ve a lot of respect for the team in here and for Dunnes as a business. I mean, obviously they gave me this opportunity which I appreciate, but I have also learned a lot from the people in here.
“I see first-hand the level of work and the ability to just pivot and understand the market and adapt to circumstances. It’s just a huge business.”
His collections for Dunnes are often inspired by individuals and last year he released Threads, an engaging book that brings to light these remarkable characters and their stories. Among the subjects are Harry Boland, Jack Butler Yeats and Samuel Beckett.
“It was a very Irish thing once upon a time to be well-presented and well-dressed. It was just about re-establishing those facts. I took a publishing approach and a writer’s approach to the collections. I saw each collection as a chapter. I figured at the end I would have a book. And that was the book.
“Really, it’s all writing to me (his fashion work). It was all in my head anyway. I knew each season was a chapter. They were already written to an extent. I got a lot of it done over lockdown in the car, actually. I did 40 or 50 thousand words in the car. That was quite quick. But then the last part was difficult because we had a new baby and that just took headspace and time and all that.
“I got some good reviews. I probably don’t do enough in that regard to be honest with you, in terms of the marketing and promotion of the thing. It performed pretty well.”
In the book Galvin speaks about the terminology that is used in fashion circles and how it can exclude your average man from rural Ireland. As he forged his way in the industry, he was adamant that a new way of talking about clothes was needed.
“I’d always be conscious of the dressing room, the building site, the team bus, the farm, the truck. I understand the language they speak and then I studied the language of fashion and, sure, it was clear that there was a disconnect. Those guys don’t speak that language. They don’t understand it.
“So I just used language and storytelling to bridge the gap. I have a whole vocabulary around the brand. Words and phrases that I use and words and phrases that I don’t use in any kinds of communications.”
Having said that, he has noticed a shift in attitudes over the past ten years or so when it comes to the way that young men are approaching style.
“I’ve experienced it through emails, DMs, even on the street, young fellas stopping me [to talk about clothes]. You notice it visibly on the streets. You see the trainers guys are wearing and the general style of young fellas.
“That says that they are leaning into it more. They’re not as afraid of it as they were ten years ago. There has definitely been a movement in that regard. It’s just generational, you know?”
THE TEAMWEAR MARKET
Galvin’s days are varied as he balances his Dunnes work with managing his own company, Keohane Athletic Club. Keohane has produced several striking concept jerseys, a number of which are GAA-themed.
For instance, the ‘TRANSATLANTIC’ shirt features a print of the St Louis, a ship that carried GAA teams and Irish emigrants from Cobh to New York in the 1920s and 1930s.
The company is also making strides in the teamwear market, supplying gear to around 30 clubs including collaborations with Austin Stacks and St Brendan’s Board here in Kerry.
“On the Keohane side I’m dealing with clubs and designers and factories directly. Here [in Dunnes] I’m dealing with the team that deals with that stuff. I think it’s important to have that mix. Keohane gives me more exposure to the real difficult part of the business, which Dunnes have been doing for me for years.
“I see Keohane as more of a design agency for sporting organisations, really. It’s big on meaning and storytelling and club history. We want clubs who want to do it this way. It’s tough to do it the way I do it, but it hasn’t been too challenging to find those clubs.”
The Keohane stuff has been well-received but his most high-profile work in this arena to date came via a collaboration with a different brand. In 2017, Kerry GAA brought him in to design their new O’Neills playing kits.
The classy eighties-inspired home shirt and the daring gold and black away became firm favourites with Kerry supporters, so much so that subsequent kit launches have often been greeted with cries of “bring back Galvin”.
He brushes that part off when I mention it but it’s obvious that his work on the project is still a real source of pride.
“I loved working on it, sure. It was a real privilege to work on it for the fact that it was the Kerry jersey, number one, and that I played [for Kerry]. And secondly for the fact that I’m in that business. It was a great opportunity for me and it was great to work alongside O’Neills as well.
“You talk about cultural institutions, they’re another one. You have to respect how long they’re in the business. They’re in it a long time and they have a lot of knowledge.
“I’d love to be doing more of the Kerry jerseys to be honest with you. But that was one opportunity and another opportunity didn’t present itself. So, unfortunately, I don’t have any more input on the jerseys.
“And given I’m in the industry then, obviously I’m looking at the new jerseys coming out. I think I tweeted about the last one and said I didn’t love it. I probably shouldn’t have said that either, but anyway… I suppose part of it is the fact that I’d like to be working on it because I do think that there’s fierce power in a jersey and you’ve got to do your best to harness that and give the team the most powerful garment that you can.”
I could talk to Paul about jerseys all day but I have a train to catch and we haven’t even broached the subject of football. (As it turned out, I missed the train.)
The 43-year-old’s last direct involvement with the game itself was a short spell as coach with Kildare in 2022. Prior to that he managed Wexford, but that stint was also brief. He stepped down in 2020 after less than year at the helm, citing personal and work reasons. With that in mind, I was curious to know if he’s interested in coaching again. His response is firm.
“Definitely. I love doing it and I definitely intend to get back into it. Last year I worked with Kildare behind the scenes on basically their build-up play, which is a big area of the game that I think is kind of unattended. They have a lot of talent there.
“But it was just… It was my mom. My mom got sick in the middle of it and I was pulled away from it. And then she passed the day of the Mayo-Kildare game in the championship. So I just wanted to give time to family after that, d’you know what I mean?
“But yeah, I have a programme that I implement so that’s what I did last year with them. The management understood it. The players understood it. I’ll get back to it soon enough, I’m sure.”
Just coaching, or would a manager’s role be tempting?
“I don’t know. It could be either. It depends on the opportunity. I’m always thankful for opportunities in life. It’s one of the things that I’ve been very blessed with. Working with Dunnes is an example. Working on the Kerry jersey is another example. I’m always, on a daily basis, very aware of the luck that comes with opportunity. When someone picks up the phone and asks you to do X, Y or Z – that’s a privilege.
“In terms of football, we (Paul and his wife, Louise) are back here based in Dublin and we have been since our second girl was born (Elin, a younger sister for Esmé). That has made things a little more difficult for me. I don’t know. It depends on what opportunities present themselves. That will dictate what I do.”
I put it to Paul that between the 2020 and 2021 seasons he was rumoured to have been approached by then Kerry manager Peter Keane about coming on board in some capacity. Kerry were coming off the back of a rough defeat to Cork in the Munster semi-final and Keane was looking for a new face. It was widely reported that Galvin was in line for a coaching position.
While he refused to be drawn on Keane and Kerry specifically, he says he did get calls from some counties and clubs at the time.
“But I was just out of Wexford,” he reflects. “Things were fragmented with Covid and all that. I didn’t feel the timing was great. It was a pity. It was a pity because it was an opportunity to be involved at a high level. Of course that’s where you want to be: at the highest level possible.”
Another factor was that several enquiries – if acted upon – would have placed him in direct competition with Kerry when it came to competing for All-Irelands, which he didn’t want.
I ask if Kerry would appeal more than any other team – before quickly realising that it’s a stupid question and self-correcting. He answers it anyway, in fairness to him.
“Of course, like. You could say that applies to nearly everybody. But I don’t ever get involved in speculation or making statements. Again, it’s a privilege. I think if you’re lucky it might come around and if not… I don’t like to bang any drums about it or make any big statements about it.”
As a player, Galvin was handed his first championship start versus Clare in 2004 by the current Kerry manager, Jack O’Connor. I had heard that the two are still friendly. As he begins to speak about their relationship, he takes a deep breath, as though he’s about to delve into something important.
“God… For me the relationship is just one of respect. I would have full respect for him and a lot of warmth towards him, because Jack is really like a father figure to me in terms of football. He’s one of three men really – my father, Eamonn Fitzmaurice Senior and Jack – who were the big influences on me in my formative years.
“Jack got a hold of me in my late teens/early twenties. Just a huge point of my life. So formatively, in sporting terms, I see Jack as a father figure for sure.
“And then, sure, it becomes a personal development type of thing. He was a huge part of my development as a footballer. He was a huge part of my development as a person. I have a lot of warmth for him. Huge respect for him.
“I think Jack saw me in a county schools final when I was playing for Causeway against what was then Cahersiveen Post-Primary. He was managing them and I got around five points from play from midfield. I was maybe 16 or 17 and I think I was in his head six or seven years later when he got the Kerry job. I was 23 then. So he had me earmarked.”
“He strikes me as a man who knows what he wants,” I offer.
“Exactly. He knows what he wants and he knew from me it was A, B, C. Do A, B and C and we’ll go from there. That was a gift for a player like me because I needed the direction and I needed the coaching.
“Even now, a lot of how I think about football is informed by some of the stuff that I learned from Jack back then.”
With that level of respect and admiration for the man in his heart and mind, Galvin naturally says he was “delighted” that O’Connor was able to steer Kerry to a long-awaited All-Ireland in 2022, in what was his first year back in charge of the team since 2012. But he stops short of calling it the Dromid bainisteoir’s greatest achievement.
“I won’t say it was his best ever year because in 2004 he was exceptional. You’ll remember that the 2004 team won an All-Ireland without Séamus Moynihan and Darragh Ó Sé. And you think of where they were in 2003 after Tyrone did what they did…
“If a fella was to say to you that in 12 months you’ll have the All-Ireland won but you’ll have no Darragh Ó Sé and you’ll have no Séamus Moynihan on the day. You’d be saying to yourself, you must have some exceptional manager or coach in mind if you think that’s going to happen. Right? And that’s what happened.
“So you’re dealing with someone really exceptional. Sure, I saw it first-hand. It was all very drilled and broken down. We were reprogrammed. We were given very specific direction.
“Having said that, I look back at Páidí Ó Sé’s teams and some of the football they played was amazing. A brilliant watch. Some of the football up to 2002… Even going back to the nineties. Jeez it was fantastic football to watch. But what makes you, breaks you in football. Whatever you lean into for a while you’ve got to be quick to get out of it early and push on to something new. That’s for sure. What makes you eventually breaks you.
“But Jack is very intuitive and he’s also optimistic. I always make the distinction between natural optimism and positivity. Optimism is far more powerful. Positivity is almost a commodity now. It can be pretended and it can be acted. Jack was always an optimistic person and optimism can lead you to great places.
“I do think part of that journey he’s on now is his innate intuition and personality.”
The Kingdom have endured a rocky start to the season and they find themselves needing points from at least one of their two remaining Division 1 games against Roscommon and Galway to avoid relegation.
Galvin believes that retaining their All-Ireland crown will prove “challenging” but he takes heart from the number of key players that are now returning from injury.
“I think it’s going to be a difficult year and the league has proven that. But it often goes that way when a year is so perfect, the following year can be the opposite. That’s not to say things will go haywire for Kerry this year but I think it’s going to be challenging. I think it’s going to be the most competitive championship we’ve seen in 10 or 15 years. The hungriest ones have the advantage in that regard.
“Kerry should have hunger but it’ll need to come together now over the next couple of weeks. I’m sure the championship has been the big focus.
“Injuries are obviously going to play a part and they seem to be patching up injuries to an extent. Jack will want competitive A v B games and you don’t get them if you have players carrying knocks and that kind of thing. It affects the competitiveness of your training. That’s where I think every All-Ireland is won.”
Perhaps unsurprisingly, Galvin has a lot of time for Paudie Clifford. The Fossa captain has been a revelation since being promoted to a starter’s role in 2021, emerging as an essential puller of strings in Kerry’s attack and earning two straight All-Stars in the process.
“I’ve been watching Paudie for a while and I must say there’s a lot to like about him as a player.”
When he mentions Paudie’s name, I automatically ask if there’s a touch of Paul Galvin about him. There is, in my opinion, and I think a lot of Kerry supporters would agree.
“I don’t know. I just like him. I think he’s himself. He’s got his own character. I like everything about him really.
“Obviously you’d be so proud looking at David as well. He’s just a great representation for the county.
“And I think Tony Brosnan has something that not many players have. It’s up to the likes of him this year. I think he will have to have a big year because I do think he’s got a rare talent. He’s got a great appreciation for what’s going on around him. Great ability to pass. He’s an unusual type of player.
“And then Jason Foley being from North Kerry. I like to see that. The North Kerry defenders are always valuable. North Kerry is an important breeding ground for Kerry.
“They’re a very likeable bunch in general so hopefully they’ll have more success.”
In terms of football, things have been relatively lean around North Kerry for a number of years but Galvin was happy to see his former district side, Feale Rangers, reach last year’s county semi-final. The lack of North Kerry footballers making the Kerry panel has been a concern for GAA figures in the area for some time so there is hope that Rangers’ run might signal some kind of a renaissance.
“We’re probably not producing enough players over the last while, but I think that starts with the individual clubs. My own club (Finuge) have a couple of very good young fellas coming through that will hopefully go the distance. Every club has that responsibility to produce the best possible player they can for the county.
“I think Kerry will always need a Finuge player. Clubs produce a certain type of player. There’s a club culture and there’s a county culture. Hopefully we have a couple more in the pipeline.”
He has been to a lot of club games in Dublin and in his wife’s native Mayo in recent years but, interestingly, he rarely goes to see Kerry in action, preferring instead to watch the matches on TV.
“I’d say I’ve been to the [Fitzgerald] Stadium once since I’ve retired. I haven’t been to a whole pile of Kerry games. I just feel like when you’re out of it you just stay out of it – unless you’re back in it.”
I wonder out loud if there’s an emotional reason for that. Maybe, after it being such a huge part of his life for so long, he felt a need to park it. To move on.
“Maybe it’s a rest from it,” he suggests. “For me, I definitely needed a rest from it. I needed to get out of Kerry and move into something new that would occupy my mind and interest me, something I could build and grow and improve at and try to become the best at. I definitely needed that change.
“But I keep a close eye from afar.”
With that I switch off the voice recorder. Another colleague joins us and we chat away for a while. London footwear designer Helen Kirkum is upcycling parts of old sneakers to make new ones. The phone is passed around so we can take a look. “Class,” Galvin says as he scrolls through the photos.
A minute ago we were talking about footballers from Finuge. But it’s all connected. It just comes down to drawing lines and finding parallels.
A red tie affair for Rathmore GAA
By Sean Moriarty Rathmore GAA Club celebrated its most-successful season ever with a gala awards presentation at the weekend. The club celebrated a never-to-be-forgotten 2022 at the Killarney Heights Hotel […]
By Sean Moriarty
Rathmore GAA Club celebrated its most-successful season ever with a gala awards presentation at the weekend.
The club celebrated a never-to-be-forgotten 2022 at the Killarney Heights Hotel and honoured some of its star players that led both club and county to national success over the last 12 months.
Former Kerry footballer, Aidan O’Mahony, who announced his retirement from football late last year, was honoured for his commitment to the club over the years.
The club won three major titles last season and the Kerry, Munster and All-Ireland Intermediate Championship cups were on display. The management team of Tim Cronin, Denis Moynihan and Dan O’Sullivan were also honoured on the night.
“It was an absolutely marvellous night and one to be remembered – we had a highly successful year to celebrate,” club PRO Diarmuid McCarthy told the Killarney Advertiser.
The club also supplied two players to Jack O’Connor’s All-Ireland-winning Kerry team and both Kerry goalkeeper Shane Ryan and half-back Paul Murphy were also recognised on the night.
“Our two county players had a wonderful year,” said Diarmuid.
Brian Friel was named as the Club Player of the Year and the prestigious Club Person of the Year award went to secretary Mike Cronin.
“It was richly deserved, I don’t know how Mike keeps on top of everything,” added the PRO.
Minor Fionn Murphy was also honoured after he won an All Star award for Kerry last season.
The club PRO thanked the organising committee, Deborah Daly, Emma Copper-Buckley, Tim O’Brien, Fintan Twomey and Don Casey for putting on an event that “was organised to a tee”.
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