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Why ladies’ football isn’t filling Croke Park – yet

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by Adam Moynihan

Sources say 30,000 people are expected to pass through the turnstiles on LGFA All-Ireland finals day for a triple-header that will be headlined by Kerry versus Galway.

As recently as 2012 the final drew 17,000 to Croke Park so 30,000 is nothing to be sneered at, but the figure would be lower than the post-Covid average of 42,500.

After a sustained period of consistent growth, have LGFA All-Ireland final attendances levelled off?

Again, there’s nothing wrong with 30,000. It matches the last Kerry v Galway senior final in 2024, and it’s better than most people could have imagined just a few short decades ago. But what about 50,000… 60,000… 70,000? What about a full house?

Imagine 82,300 Gaels packing out Croke Park for a ladies’ football final. Wouldn’t that be a sight to behold?

It’s important to acknowledge that Dublin’s involvement or non-involvement in the final does impact the numbers. The three best-attended games of all time featured the Dubs, and the two highest featured the all-conquering four-in-a-row team of 2017-2020.

Croke Park welcomed 50,141 spectators through its doors for the Dublin v Tyrone final in 2018. A new record was set in 2019 when 56,114 watched Dublin v Galway.

2019 also marked the seventh consecutive year that the All-Ireland final attendance saw an increase on the year before.

Then Covid came. The 2020 decider was played behind closed doors. In 2021, the capacity was capped at 32,000.

The average attendance in the three-year boom pre-Covid was roughly 50,800. Post-Covid it has dropped by over 8,000.

Even if you only count Dublin finals since Covid (i.e. 2023 and 2025), the average is around 46,700 – down 4,000 on that three-year run pre-2020.

LGFA All-Ireland final attendances since 2011

2011 – 20,061 (Cork v Monaghan)                     

2012 – 16,998 (Cork v Kerry)        

2013 – 25,103 (Cork v Monaghan)                     

2014 – 27,374 (Cork v Dublin)                 

2015 – 31,083 (Cork v Dublin)                 

2016 – 34,445 (Cork v Dublin)                 

2017 – 46,286 (Dublin v Mayo)                

2018 – 50,141 (Dublin v Cork)                  

2019 – 56,114 (Dublin v Galway)             

2020 – 0* (Dublin v Cork)              

2021 – 32,000** (Meath v Dublin)            

2022 – 46,440 (Meath v Kerry)                 

2023 – 45,326 (Dublin v Kerry)                 

2024 – 30,340 (Kerry v Galway)              

2025 – 48,089 (Dublin v Meath)

2026 – approximately 30,000, TBC (Kerry v Galway)

*Behind closed doors due to the Covid-19 pandemic

**Capacity capped due to the Covid-19 pandemic

Whatever way you spin it, the numbers haven’t gone up. There’s room for improvement, and room for 30 to 40,000 more people in the stands and terraces of HQ.

Cynics might say that filling Croke Park for a ladies’ match isn’t possible, but the cynics also doubted the potential of women’s soccer. Barcelona Feminí went from tiny crowds at a mostly empty Mini Estadi to 91,000 in the towering Camp Nou.

When the Irish women’s team held their first ever match in the Aviva Stadium in 2023, they brought a crowd of almost 36,000 – roughly five times their previous record of 7,300.

Some experts even doubted Katie Taylor’s ability to sell out Croker. After all, no women’s boxing match had ever filled a stadium of that size. Tickets went on general sale on Friday, June 12 at 9am. Within half an hour, they were gone.

Different codes, different circumstances, but it does show that the growing popularity of women’s sport should not be underestimated.

So, if the figures show that LGFA final attendances have, indeed, reached some sort of plateau, why is that? And what can be done to take them to the next level?

Research conducted in 2025 by the LGFA’s partner Lidl revealed that 42% of the Irish public would be more likely to attend a female game if a high-profile player was playing. We saw how much of the recent World Cup was framed around household names like Messi, Mbappé and Haaland. Barça have Bonmatí. Men’s football has Clifford. The Irish women have McCabe. The WNBA has Clark. Irish athletics have Adeleke.

With all the outstanding female footballers on show this season, including leading scorers for the senior finalists Síofra O’Shea (Kerry) and Olivia Divilly (Galway), identifying the Messi or Bonmatí or Clifford of the LGFA is not all that straightforward at present. It feels like ladies’ football is waiting for its next breakout superstar. Maybe one will emerge on Sunday...

Even so, players doing their thing on the pitch is not enough. Marketing also plays its part. Thankfully female footballers are now more visible than ever, which can largely be attributed to the impressive efforts of TG4, Lidl and other commercial sponsors.

When it comes to social media, the LGFA and Camogie Association are doing fantastic work but, for me, the GAA are currently the standard bearers – not just in Gaelic games, but in Irish sport in general. Their graphics are sharp, their content is becoming increasingly engaging, and videographer Mark Forde and others are supplying superb footage that highlights the individuals and sells the product to would-be match-goers.

In more ways than one, the pending merger of the associations and a pooling of resources will benefit everyone.

Of course, the elephant in the room is that many of the LGFA’s most high-profile players – some of them household names – are no longer in this country to be highlighted.

Vikki Wall (Meath), Erika O’Shea (Cork), Sarah Rowe (Mayo), Kayleigh Cronin (Kerry), Jennifer Dunne (Dublin) and others too numerous to mention have been lured Down Under to the AFLW, following in the footsteps of LGFA greats like Cora Staunton (Mayo) and Sinéad Goldrick (Dublin) before them.

In total, 44 Irish players are currently contracted to teams in Australia, including Kerry exports Julie O'Sullivan, Paris McCarthy and Emma Dineen. There are so many Irish players in the league that an Australia v Ireland Aussie Rules exhibition fixture took place this weekend.

No one can deny these talented Irish athletes their right to pursue a career in professional sport – nor can anyone deny that our own game is worse off for losing them. Kerry legend Louise Ní Mhuircheartaigh, who was the game’s biggest star prior to her retirement in 2024, has said that given the extent of the ongoing player drain, she fears for the standard of ladies’ football. Her concerns are understandable.

It all adds up. While the men’s game thrives under the new rules (some of which have been replicated in the ladies’ game), what effect would it have if you took 40 of its best players out of the mix?

Interestingly, shortly after St Kilda-bound starlet Kobe McDonald led Mayo to their first All-Ireland since 1951, reports emerged that the GAA are in talks with the AFL over implementing new guidelines that would potentially limit such transfers. McDonald will join 14 other Irish men in the league, including Kerry’s Mark O’Connor, Cillian Burke, Rob Monahan and Ben Murphy.

Perhaps ladies’ football should also be part of that conversation. Having said that, if the GAA and LGFA want to keep their best players, incentivising a career as a Gaelic footballer should be their number one priority.

Another star of the ladies’ game Hannah Tyrrell of Dublin followed Ní Mhuircheartaigh into retirement in 2025 after falling victim to the dreaded ACL. Cruciate injuries hamper more female players than male, in turn taking high profile female footballers out of the action for extended periods of time. There is no obvious solution to that particular problem but it’s another factor that merits consideration.

While they may be set to join forces in the future, for now direct competition from the GAA is clearly holding back LGFA attendances, at least to some extent. Male and female intercounty matches frequently clash over the course of the season, making it difficult or sometimes impossible for supporters from a particular county to go to both.

That doesn’t apply directly for the All-Ireland itself as the ladies’ final is held one week after the men’s, but even that arrangement can prove challenging. For instance, this year Kerry qualified for both All-Ireland football finals. For some fans who went to Dublin for the men’s fixture, doing it again the following weekend, with all the travelling and expense that it entails, can be a big ask.

Ticket prices shouldn’t be a major barrier, however. Adult tickets for this Sunday’s LGFA finals are €30 while children go for €15. A family ticket (two adults and two kids) is €70.

(Get your tickets here.)

Meanwhile, tickets for the men’s final were €100 for the stands and €55 for the terrace.

There are other types of clashes this weekend. The captains of intermediate finalists Roscommon and junior finalists Carlow have lamented the fact that male senior club matches in their respective counties have been scheduled for Sunday. Meanwhile, the Kerry senior hurling final is also due to take place at 2pm, just over two hours before the Kerry ladies play Galway in Dublin.

We know the crowded Gaelic games calendar is a hornet’s nest with no obvious solution. Perhaps that pending amalgamation of the Gaelic games associations will somehow facilitate a positive change.

As for the numbers at the LGFA’s showpiece event at Croke Park, one of the key questions to address is, ‘who is missing?’ The high pitch of the cheers when the ball goes over the bar on Sunday will hint at the answer; the proportion of men to women and children at women’s games is clearly significantly lower than it is at men’s games.

If we are to one day see a capacity crowd at HQ for a ladies’ final, it’s not just about getting more male supporters through the gates, but that would certainly help.

Attitudes may have changed (broadly speaking) but old habits die hard, and many men are simply in the habit of going to men’s fixtures and not women's. Supporting ladies' football is just not something they've ever done.

Perhaps the perspective needs to shift from “supporting ladies’ football” to “supporting Kerry/Galway/Dublin/Armagh”?

Think about it. When we cheer for a female Irish athlete in the Olympics, we don’t necessarily see it as “supporting women’s athletics”. We’re simply supporting an Irish athlete.

When we cheer for Katie Taylor, we don’t necessarily see it as “supporting women’s boxing”. We’re simply supporting an Irish boxer.

So why, if we love our county, and we love football, would we not cheer for our county’s female footballers? Why would we not head to Croke Park for them and celebrate them and enjoy the match and the great day out?

For all the challenges ladies' football is facing, it's exciting, it's stacked with talent, and Sunday's finals will no doubt provide some top-class entertainment.

So, yes, there’s nothing wrong with 30,000 or 40,000 on All-Ireland final day. Considering where the ladies’ game has come from, it should be applauded.

But making history and filling Croke Park? That should be the ultimate dream – and it's not beyond our reach.

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Angland family celebrate Munster Fleadh triumph

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Angland family celebrate Munster Fleadh triumph


Glenflesk CCE and the local traditional music community are celebrating a major haul of silverware following the Angland family’s outstanding performances at the Munster Fleadh Cheoil in Lismore, County Waterford.


Siblings Colleen, Olivia, Seán, and Grace Angland earned a impressive collection of provincial titles, podium finishes, and All-Ireland qualification spots across multiple music, singing, and dancing disciplines.
Seán Angland delivered a stellar run in the 12-15 category, taking first place in the Melodeon alongside second-place finishes in Piano, Accompaniment, and Mouth Organ. He also secured second place in both the Duet and Trio competitions alongside his sister Olivia and Aoife Hobbert of Lixnaw CCE.
Olivia Angland added to the family success with third-place finishes in both the 12-15 Fiddle and Lilting competitions. She also excelled on the dance floor, winning first place in the 12-15 Mixed Set Dance and third in the Ladies Set Dance with Killarney CCE.
In the 15-18 age group, Colleen Angland secured double silver with second-place finishes in both the Flute Slow Airs and Whistle Slow Airs. Colleen, Olivia, and Seán also joined forces as members of the Cork-based Baile Átha an Spidéil Grúpaí Ceoil (15-18) to take third place in a competitive field.
Meanwhile, Grace Angland earned second place with the An Ríocht Senior Grúpaí Ceoil. The achievement sees Grace return to the All-Ireland stage in Belfast, following her national title win in Senior Piano at Fleadh Cheoil na hÉireann last year.

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Local musicians and dancers head for Belfast All-Ireland Fleadh

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Local musicians and dancers head for Belfast All-Ireland Fleadh

Musicians, singers, and dancers from both the Killarney and Kilcummin branches of Comhaltas Ceoltóirí Éireann are heading to Belfast this weekend for Fleadh Cheoil na hÉireann following major success at the Munster Fleadh in Lismore, County Waterford.


The All-Ireland competition runs from August 2 to August 9, with competitors from across the two local parishes travelling north to compete on the national stage.
Kilcummin CCÉ enjoyed an outstanding provincial tournament across music, language, and dancing. Eoin Foley claimed a Munster title in the 15 to 18 Button Accordion, while Micheál Healy took gold in the Over 18 Melodeon alongside a third-place finish in the button accordion. Brynn McCarthy secured her spot in Belfast after qualifying in Comhrá Gaeilge for 9 to 11 age group, while also picking up third place in Under 12 English Singing.
Dancers from the Moriarty School of Dancing dominated the set dancing competitions in Lismore, winning five Munster titles across Under 12 Ladies, Under 12 Mixed, Under 18 Ladies, Over 18 Mixed, and Over 35 Ladies. These five sets now join four previously qualified Kilcummin sets—the Over 18 Mixed, Ladies, and Half sets, along with the Over 35 Mixed—bringing a total of nine set dancing teams from the parish to the Belfast finals under trainers Adrian, John, and Mary Moriarty.
Killarney CCÉ members also celebrated a highly successful provincial championship, securing a haul of Munster titles and top-three qualification spots across various music, singing, dancing, and Irish language categories.

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