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Lights, camera and action for 17th Kerry Film Festival

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KILLARNEY will roll out the red carpet this Wednesday for Kerry Film Festival which will run for five days and showcase short films as well as feature films.

The festival will open with the soldout world premiere of Kerry-made feature film Making It and will close with the world premiere of Brackenmore. Making It was produced by the National Digital Skills Centre at Kerry Education and Training Board and Brakenmore was produced by Caragh Lake Films which collaborated with a number of local organisations including Kerry County Council and the Kerry ETB. “The production of these films is a testament to the determination of production companies filming in Kerry and the wealth of locations in Kerry suitable for filming,” said the festival’s artistic director Maeve McGrath.

The short film programme is an integral part of the Kerry Film Festival schedule and this year there are 16 programmes of short film. “With an international focus on short film reflected in the programme including a new exchange of films with the renowned Kendal Mountain Festival, there is also an overflowing programme of Kerry short films in the Kerry Connection programme highlighting the wealth of creative talent creating film in the county,” added Maeve.

Filmmakers and Industry professionals will gather in Killarney on October 22 for the festival’s Short Film Market where panel discussions and conversations will take place with industry guests discussing short film and a special focus on the diaspora in the Irish International Film Festival panel.

Jim Cummings, winner of the Grand Jury prize at the Sundance festival, will give a masterclass on his journey to Sundance with Thunder Road and there will be a casting workshop for actors with Sing Street casting agent, Louise Kiely.

“Critically acclaimed feature films include A Good Wife which opened in Sundance this year and in keeping with the festival’s tradition of focusing on music in film, KFF are delighted to offer the Irish premiere of Paul Thomas Anderson’s Junun and the acclaimed music documentary, We Are X,” said Maeve. “With a documentary on the life of Ken Loach, Versus, and the Kerry premiere of Mattress Men with director Colm Quinn in attendance, the festival offers a selection of films that will appeal to all.”

For more information on these screenings and others at Kerry Film Festival log onto www.kerryfilmfestival.com or call 066-712 9934.
 


 
Above: Mattress Men will have its Kerry premiere during Kerry Film Festival this week.

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Beaufort man collects 18th car from Randles Bros

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Beaufort resident Paddy O’Sullivan has marked 40 years of loyalty to Randles Bros by collecting his 18th vehicle from the dealership.

Paddy recently met with David Randles at Randles Bros Tralee to take delivery of his latest car, a new Nissan Qashqai.


The O’Sullivan family’s relationship with the garage dates back four decades to when Randles Bros operated as an Austin Morris dealer.

Paddy’s first purchase was a Morris Marina, one of the top-selling models of the 1970s.
As the dealership evolved, so did Paddy’s choice of vehicles.

When the garage took on the Datsun franchise, he moved into a Datsun 140 J, also known as the Datsun Violet.

Following the brand’s transition to Nissan in the 1980s, he became a frequent owner of the Nissan Bluebird. This was followed by a stint owning five different Nissan Primeras throughout the late 1990s and early 2000s.


In recent years, he has transitioned to the Nissan Qashqai, with this latest ‘261’ registration marking his 18th time driving a new car out of the Randles Bros showroom.


David Randles thanked the Beaufort man for his continued business over the generations. “We want to thank Paddy and his family for being such a great customer to Randles Bros for so long,” he said. “Congratulations on your purchase Paddy, and safe travels.”

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Calls for recognition of women’s ‘enormous contribution’ at Mission Memorial

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Killarney Municipal District has been asked to address a significant gender imbalance at the town’s Mission Memorial in the Fern Garden.

Speaking at Wednesday’s municipal meeting, Cllr John O’Donoghue highlighted that while the monument correctly honours those who served abroad, it is currently heavily weighted towards men, leaving the massive contribution of missionary women almost entirely unacknowledged.
Ireland’s missionary history is deeply rooted, with an estimated 30,000 men and women joining missionary orders between 1920 and 1970.


Cllr O’Donoghue pointed out that women, particularly those in various orders of nuns, likely exceeded their male counterparts in number.

These women often worked in dangerous locations, serving as the sole voice for the marginalised, including those suffering from disease, poverty, and displacement.


The Councillor argued that even a cursory glance at the existing monument shows it does not reflect this reality.

He asked the Council to examine how best to rectify this imbalance and acknowledge the work of these women in a fitting manner.

He noted that the message of empathy and acceptance carried by these missionaries to all corners of the globe is more important to highlight today than ever before.


In response, the Killarney MD Office stated they would welcome engagement and recommendations from community groups and stakeholders regarding specific individuals deserving of recognition.

The Council indicated a willingness to review how to better commemorate these women at the Mission Garden to ensure their selfless acts are properly recorded for future generations.

The Kerry nun who braved the streets of wartime Rome


One of the most likely candidates for commemoration is Sister Noreen Dennehy, a Missionary Franciscan Sister originally from Killorglin.


History often focuses on the famous ‘Rome Escape Line’ led by Monsignor Hugh O’Flaherty (who already has a dedicated Mission Road statute), Sister Noreen played a vital and covert role in the network’s success during World War II.


Operating behind the scenes, she served as a crucial bridge between the Monsignor and the highest echelons of Roman society.


Sister Noreen frequently undertook dangerous missions through the cobbled streets of occupied Rome to liaise with the local elite, including a key princess who provided the essential funding and logistical support needed to keep the escape route operational.

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