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Spotlight on Killarney singer-songwriter Ian Whitty

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Ian Whitty.

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Ian Whitty & The Exchange.

AN EIGHT-YEAR odyssey has led talented Killarney singer-songwriter Ian Whitty to weave a rich modern tapestry of storytelling. Ian Whitty & The Exchange are back this autumn with their new album, Cash Crop, due for release on Friday, November 11, and they will be performing in Courtney’s Bar (upstairs) in Killarney on Saturday, October 29.

Cash Crop veers from simple stripped-back melodies to riotous guitar overtures to Americana. “I’m declaring war,” sings Whitty on the opening track Bottom Line. Ian’s lyrics conjure up dreams of young love as well as hope and meaning in the face of loss. They delve into disillusionment with modern culture and chart an evolution from partner to parent.

The album constantly draws the listener into an emotional exploration, all the while Whitty’s seasoned vocal is gravelly with experience, biting in its commentary and sharp in its storytelling. He frequently shifts perspectives, personas and characters in weaving a modern tapestry that manages to be both personal and full of symbolism.

It took eight years for Ian to travel the roads and bear witness to the events that we find in Cash Crop. In doing so he has provided us with an album that is warm and intimate yet feels epic in its scope.

“Making a record is a genuinely difficult thing to do,” said Ian. “Simply put, it’s easier to make a mess of it than to get it right. That said we are ready to walk away from this one feeling like we have captured something with a real identity, that we haven’t let any of the songs down and that we have challenged ourselves creatively in the process.”

With the intent of capturing both the energy and intimacy of live shows Cash Crop was recorded in “live” spaces including One Chance Out Studios in Cork. The album was co-produced by Ian Whitty & The Exchange, Steve Fanagan and Chris Somers. It was engineered by Chris Somers and predominantly mixed by Steve Fanagan. Cash Crop was mastered at Whisper and Shout Studios, Los Angeles by Ruairi O’Flaherty. Long-time collaborator Suzanne Power of Hazel Tree Design created the sartorial artwork for the album from Ian’s basic sketches.

In a time where playlists are consumed on demand and unlimited choice is on offer Cash Crop invites you to become a confidant and will have you pressing repeat rather than browse.
 


 
Above: Ian Whitty & The Exchange are playing in Courtney’s Bar, Killarney, on Saturday, October 29, and will launch their new album Cash Crop on November 11.

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Beaufort man collects 18th car from Randles Bros

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Beaufort resident Paddy O’Sullivan has marked 40 years of loyalty to Randles Bros by collecting his 18th vehicle from the dealership.

Paddy recently met with David Randles at Randles Bros Tralee to take delivery of his latest car, a new Nissan Qashqai.


The O’Sullivan family’s relationship with the garage dates back four decades to when Randles Bros operated as an Austin Morris dealer.

Paddy’s first purchase was a Morris Marina, one of the top-selling models of the 1970s.
As the dealership evolved, so did Paddy’s choice of vehicles.

When the garage took on the Datsun franchise, he moved into a Datsun 140 J, also known as the Datsun Violet.

Following the brand’s transition to Nissan in the 1980s, he became a frequent owner of the Nissan Bluebird. This was followed by a stint owning five different Nissan Primeras throughout the late 1990s and early 2000s.


In recent years, he has transitioned to the Nissan Qashqai, with this latest ‘261’ registration marking his 18th time driving a new car out of the Randles Bros showroom.


David Randles thanked the Beaufort man for his continued business over the generations. “We want to thank Paddy and his family for being such a great customer to Randles Bros for so long,” he said. “Congratulations on your purchase Paddy, and safe travels.”

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Calls for recognition of women’s ‘enormous contribution’ at Mission Memorial

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Killarney Municipal District has been asked to address a significant gender imbalance at the town’s Mission Memorial in the Fern Garden.

Speaking at Wednesday’s municipal meeting, Cllr John O’Donoghue highlighted that while the monument correctly honours those who served abroad, it is currently heavily weighted towards men, leaving the massive contribution of missionary women almost entirely unacknowledged.
Ireland’s missionary history is deeply rooted, with an estimated 30,000 men and women joining missionary orders between 1920 and 1970.


Cllr O’Donoghue pointed out that women, particularly those in various orders of nuns, likely exceeded their male counterparts in number.

These women often worked in dangerous locations, serving as the sole voice for the marginalised, including those suffering from disease, poverty, and displacement.


The Councillor argued that even a cursory glance at the existing monument shows it does not reflect this reality.

He asked the Council to examine how best to rectify this imbalance and acknowledge the work of these women in a fitting manner.

He noted that the message of empathy and acceptance carried by these missionaries to all corners of the globe is more important to highlight today than ever before.


In response, the Killarney MD Office stated they would welcome engagement and recommendations from community groups and stakeholders regarding specific individuals deserving of recognition.

The Council indicated a willingness to review how to better commemorate these women at the Mission Garden to ensure their selfless acts are properly recorded for future generations.

The Kerry nun who braved the streets of wartime Rome


One of the most likely candidates for commemoration is Sister Noreen Dennehy, a Missionary Franciscan Sister originally from Killorglin.


History often focuses on the famous ‘Rome Escape Line’ led by Monsignor Hugh O’Flaherty (who already has a dedicated Mission Road statute), Sister Noreen played a vital and covert role in the network’s success during World War II.


Operating behind the scenes, she served as a crucial bridge between the Monsignor and the highest echelons of Roman society.


Sister Noreen frequently undertook dangerous missions through the cobbled streets of occupied Rome to liaise with the local elite, including a key princess who provided the essential funding and logistical support needed to keep the escape route operational.

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